Katalog
| Emitent | Uncertain Central European Celts |
|---|---|
| Rok | 200 BC - 101 BC |
| Typ | Standard circulation coin |
| Nominał | Tetradrachm (1) |
| Waluta | Drachm |
| Skład | Silver |
| Waga | 11.54 g |
| Średnica | 24 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Variable alignment ↺ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | Kostial#764, Göbl Kelt#Pl. 39 483/1 |
| Opis awersu | Beardless and pearl-diademed head to right. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Horse prancing left; pellet-in-annulet above. |
| Pismo rewersu | |
| Legenda rewersu | |
| Krawędź | |
| Mennica | |
| Nakład |
ND (200 BC - 101 BC) - - |
| ID Numisquare | 1098456710 |
| Dodatkowe informacje |
Historical Context: This Tetradrachm, a "Slowakischer Type," originates from Central European Celtic societies during the late La Tène period (200-101 BC). Issued by uncertain Celtic tribes, likely in modern-day Slovakia, these coins reflect increasing economic sophistication and tribal consolidation. Lacking a single monarch, their issuance highlights coinage's importance for trade, mercenary payments, and tribal identity, adapting Greek prototypes to local needs.
Artistry: The design exemplifies the distinctive Celtic approach to numismatic art. Inspired by classical Greek models – likely a laureate head on the obverse and a horse and rider on the reverse – the execution is profoundly Celticized. Absent a named engraver, the stylistic school uses deliberate abstraction and stylization, transforming the classical ideal into a dynamic, symbolic representation. Features are often exaggerated or simplified, creating a powerful, expressive aesthetic distinct from Hellenistic realism.
Technical/Grading: Struck in silver, this example weighs 11.54 grams and measures 24 millimeters, consistent with the type. Celtic coinage of this era frequently exhibits irregular flan shapes and off-center strikes, characteristic of the minting technology. Key high-points for assessing wear include the hair and facial features on the obverse, and the horse's mane and rider's head on the reverse. Its classification under Kostial#764 and Göbl Kelt#Pl. 39 483/1 provides essential authentication and numismatic context.