Tetradrachm Slowakischer Type

Emisor ​Uncertain Central European Celts
Año 200 BC - 101 BC
Tipo Standard circulation coin
Valor Tetradrachm (1)
Moneda Drachm
Composición Silver
Peso 11.54 g
Diámetro 24 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación Variable alignment ↺
Grabador(es)
En circulación hasta
Referencia(s) Kostial#764, Göbl Kelt#Pl. 39 483/1
Descripción del anverso Beardless and pearl-diademed head to right.
Escritura del anverso
Leyenda del anverso
Descripción del reverso Horse prancing left; pellet-in-annulet above.
Escritura del reverso
Leyenda del reverso
Canto
Casa de moneda
Tirada ND (200 BC - 101 BC) - -
ID de Numisquare 1098456710
Información adicional

Historical Context: This 'Slowakischer Type' tetradrachm, issued by uncertain Central European Celtic tribes from 200 to 101 BC, marks the Late La Tène D period. These Celts, likely Boii or Cotini in modern-day Slovakia and adjacent Carpathian Basin, utilized coinage often imitative of Hellenistic prototypes, particularly Macedonian tetradrachms. The 11.54g weight reflects a regional Attic standard adaptation, crucial for economic exchange amidst evolving Roman influence and Germanic migrations in a dynamic Central European landscape.

Artistry: Devoid of engraver signatures, this coin exemplifies the distinctive Central European La Tène D stylistic school. Artistry is highly abstract, almost geometric, interpreting classical forms. The obverse typically presents a profoundly stylized human head, reduced to essential, curvilinear elements. The reverse commonly features a horse, often dismembered or rendered with exaggerated, dynamic features, reflecting Celtic iconography's spiritualistic rather than Hellenistic realism. This 'Slowakischer Type' possesses specific regional stylistic markers, differentiating it from contemporary Celtic issues.

Technical/Grading: Struck in silver (11.54g, 24mm), this type exhibits characteristic Celtic manufacturing: irregular flans, variable striking pressure, and frequent off-center strikes. For grading, key obverse high-points include preservation of stylized facial features, particularly eye and hair patterns. On the reverse, integrity of the horse's head, legs, tail, and any field symbols are crucial. Given inherent abstraction, a well-centered strike with minimal die wear and clear rendering of primary motifs is highly prized.

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