Tetradrachm Slowakischer Type

Emittent ​Uncertain Central European Celts
Jahr 200 BC - 101 BC
Typ Standard circulation coin
Nennwert Tetradrachm (1)
Währung Drachm
Material Silver
Gewicht 11.54 g
Durchmesser 24 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung Variable alignment ↺
Stempelschneider
Im Umlauf bis
Referenz(en) Kostial#764, Göbl Kelt#Pl. 39 483/1
Aversbeschreibung Beardless and pearl-diademed head to right.
Aversschrift
Averslegende
Reversbeschreibung Horse prancing left; pellet-in-annulet above.
Reversschrift
Reverslegende
Rand
Prägestätte
Auflage ND (200 BC - 101 BC) - -
Numisquare-ID 1098456710
Zusätzliche Informationen

Historical Context: This 'Slowakischer Type' tetradrachm, issued by uncertain Central European Celtic tribes from 200 to 101 BC, marks the Late La Tène D period. These Celts, likely Boii or Cotini in modern-day Slovakia and adjacent Carpathian Basin, utilized coinage often imitative of Hellenistic prototypes, particularly Macedonian tetradrachms. The 11.54g weight reflects a regional Attic standard adaptation, crucial for economic exchange amidst evolving Roman influence and Germanic migrations in a dynamic Central European landscape.

Artistry: Devoid of engraver signatures, this coin exemplifies the distinctive Central European La Tène D stylistic school. Artistry is highly abstract, almost geometric, interpreting classical forms. The obverse typically presents a profoundly stylized human head, reduced to essential, curvilinear elements. The reverse commonly features a horse, often dismembered or rendered with exaggerated, dynamic features, reflecting Celtic iconography's spiritualistic rather than Hellenistic realism. This 'Slowakischer Type' possesses specific regional stylistic markers, differentiating it from contemporary Celtic issues.

Technical/Grading: Struck in silver (11.54g, 24mm), this type exhibits characteristic Celtic manufacturing: irregular flans, variable striking pressure, and frequent off-center strikes. For grading, key obverse high-points include preservation of stylized facial features, particularly eye and hair patterns. On the reverse, integrity of the horse's head, legs, tail, and any field symbols are crucial. Given inherent abstraction, a well-centered strike with minimal die wear and clear rendering of primary motifs is highly prized.

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