Tetradrachm Slowakischer Type

صادرکننده ​Uncertain Central European Celts
سال 200 BC - 101 BC
نوع Standard circulation coin
ارزش Tetradrachm (1)
واحد پول Drachm
ترکیب Silver
وزن 11.54 g
قطر 24 mm
ضخامت
شکل Round (irregular)
تکنیک Hammered
جهت Variable alignment ↺
حکاک(ها)
در گردش تا
مرجع(ها) Kostial#764, Göbl Kelt#Pl. 39 483/1
توضیحات روی سکه Beardless and pearl-diademed head to right.
خط روی سکه
نوشته‌های روی سکه
توضیحات پشت سکه Horse prancing left; pellet-in-annulet above.
خط پشت سکه
نوشته‌های پشت سکه
لبه
ضرابخانه
تیراژ ضرب ND (200 BC - 101 BC) - -
شناسه Numisquare 1098456710
اطلاعات تکمیلی

Historical Context: This 'Slowakischer Type' tetradrachm, issued by uncertain Central European Celtic tribes from 200 to 101 BC, marks the Late La Tène D period. These Celts, likely Boii or Cotini in modern-day Slovakia and adjacent Carpathian Basin, utilized coinage often imitative of Hellenistic prototypes, particularly Macedonian tetradrachms. The 11.54g weight reflects a regional Attic standard adaptation, crucial for economic exchange amidst evolving Roman influence and Germanic migrations in a dynamic Central European landscape.

Artistry: Devoid of engraver signatures, this coin exemplifies the distinctive Central European La Tène D stylistic school. Artistry is highly abstract, almost geometric, interpreting classical forms. The obverse typically presents a profoundly stylized human head, reduced to essential, curvilinear elements. The reverse commonly features a horse, often dismembered or rendered with exaggerated, dynamic features, reflecting Celtic iconography's spiritualistic rather than Hellenistic realism. This 'Slowakischer Type' possesses specific regional stylistic markers, differentiating it from contemporary Celtic issues.

Technical/Grading: Struck in silver (11.54g, 24mm), this type exhibits characteristic Celtic manufacturing: irregular flans, variable striking pressure, and frequent off-center strikes. For grading, key obverse high-points include preservation of stylized facial features, particularly eye and hair patterns. On the reverse, integrity of the horse's head, legs, tail, and any field symbols are crucial. Given inherent abstraction, a well-centered strike with minimal die wear and clear rendering of primary motifs is highly prized.

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