| Issuer | Uncertain Central European Celts |
|---|---|
| Year | 200 BC - 101 BC |
| Type | Standard circulation coin |
| Value | Tetradrachm (1) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 11.54 g |
| Diameter | 24 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Kostial#764, Göbl Kelt#Pl. 39 483/1 |
| Obverse description | Beardless and pearl-diademed head to right. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Horse prancing left; pellet-in-annulet above. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (200 BC - 101 BC) - - |
| Numisquare ID | 1098456710 |
| Additional information |
Historical Context: This 'Slowakischer Type' tetradrachm, issued by uncertain Central European Celtic tribes from 200 to 101 BC, marks the Late La Tène D period. These Celts, likely Boii or Cotini in modern-day Slovakia and adjacent Carpathian Basin, utilized coinage often imitative of Hellenistic prototypes, particularly Macedonian tetradrachms. The 11.54g weight reflects a regional Attic standard adaptation, crucial for economic exchange amidst evolving Roman influence and Germanic migrations in a dynamic Central European landscape.
Artistry: Devoid of engraver signatures, this coin exemplifies the distinctive Central European La Tène D stylistic school. Artistry is highly abstract, almost geometric, interpreting classical forms. The obverse typically presents a profoundly stylized human head, reduced to essential, curvilinear elements. The reverse commonly features a horse, often dismembered or rendered with exaggerated, dynamic features, reflecting Celtic iconography's spiritualistic rather than Hellenistic realism. This 'Slowakischer Type' possesses specific regional stylistic markers, differentiating it from contemporary Celtic issues.
Technical/Grading: Struck in silver (11.54g, 24mm), this type exhibits characteristic Celtic manufacturing: irregular flans, variable striking pressure, and frequent off-center strikes. For grading, key obverse high-points include preservation of stylized facial features, particularly eye and hair patterns. On the reverse, integrity of the horse's head, legs, tail, and any field symbols are crucial. Given inherent abstraction, a well-centered strike with minimal die wear and clear rendering of primary motifs is highly prized.