Obol

Đơn vị phát hành Stymphalos
Năm 350 BC
Loại Standard circulation coin
Mệnh giá Obol (⅙)
Tiền tệ Drachm
Chất liệu Silver
Trọng lượng 0.91 g
Đường kính 11.0 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo SNG Copenhagen#285, BCD Peloponnesos#1697
Mô tả mặt trước Head of Herakles facing right, wearing a lion skin
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Head of water bird without crest right with inscription around all
Chữ viết mặt sau Greek
Chữ khắc mặt sau ΣΤΥΜΦΑΛΙΩΝ
Cạnh
Xưởng đúc
Số lượng đúc ND (-350) - -
ID Numisquare 8288923620
Thông tin bổ sung

Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.

Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.

Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.

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