Obol

Emissor Stymphalos
Ano 350 BC
Tipo Standard circulation coin
Valor Obol (⅙)
Moeda Drachm
Composição Silver
Peso 0.91 g
Diâmetro 11.0 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) SNG Copenhagen#285, BCD Peloponnesos#1697
Descrição do anverso Head of Herakles facing right, wearing a lion skin
Escrita do anverso
Legenda do anverso
Descrição do reverso Head of water bird without crest right with inscription around all
Escrita do reverso Greek
Legenda do reverso ΣΤΥΜΦΑΛΙΩΝ
Bordo
Casa da moeda
Tiragem ND (-350) - -
ID Numisquare 8288923620
Informações adicionais

Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.

Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.

Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.

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