Katalog
| Emitent | Stymphalos |
|---|---|
| Rok | 350 BC |
| Typ | Standard circulation coin |
| Nominał | Obol (⅙) |
| Waluta | Drachm |
| Skład | Silver |
| Waga | 0.91 g |
| Średnica | 11.0 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | SNG Copenhagen#285, BCD Peloponnesos#1697 |
| Opis awersu | Head of Herakles facing right, wearing a lion skin |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Head of water bird without crest right with inscription around all |
| Pismo rewersu | Greek |
| Legenda rewersu | ΣΤΥΜΦΑΛΙΩΝ |
| Krawędź | |
| Mennica | |
| Nakład |
ND (-350) - - |
| ID Numisquare | 8288923620 |
| Dodatkowe informacje |
Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.
Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.
Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.