کاتالوگ
| صادرکننده | Stymphalos |
|---|---|
| سال | 350 BC |
| نوع | Standard circulation coin |
| ارزش | Obol (⅙) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 0.91 g |
| قطر | 11.0 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | SNG Copenhagen#285, BCD Peloponnesos#1697 |
| توضیحات روی سکه | Head of Herakles facing right, wearing a lion skin |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Head of water bird without crest right with inscription around all |
| خط پشت سکه | Greek |
| نوشتههای پشت سکه | ΣΤΥΜΦΑΛΙΩΝ |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (-350) - - |
| شناسه Numisquare | 8288923620 |
| اطلاعات تکمیلی |
Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.
Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.
Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.