カタログ
| 発行体 | Stymphalos |
|---|---|
| 年号 | 350 BC |
| 種類 | Standard circulation coin |
| 額面 | Obol (⅙) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 0.91 g |
| 直径 | 11.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG Copenhagen#285, BCD Peloponnesos#1697 |
| 表面の説明 | Head of Herakles facing right, wearing a lion skin |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Head of water bird without crest right with inscription around all |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΣΤΥΜΦΑΛΙΩΝ |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (-350) - - |
| Numisquare ID | 8288923620 |
| 追加情報 |
Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.
Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.
Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.