Obol

Emisor Stymphalos
Año 350 BC
Tipo Standard circulation coin
Valor Obol (⅙)
Moneda Drachm
Composición Silver
Peso 0.91 g
Diámetro 11.0 mm
Grosor
Forma Round (irregular)
Técnica Hammered
Orientación
Grabador(es)
En circulación hasta
Referencia(s) SNG Copenhagen#285, BCD Peloponnesos#1697
Descripción del anverso Head of Herakles facing right, wearing a lion skin
Escritura del anverso
Leyenda del anverso
Descripción del reverso Head of water bird without crest right with inscription around all
Escritura del reverso Greek
Leyenda del reverso ΣΤΥΜΦΑΛΙΩΝ
Canto
Casa de moneda
Tirada ND (-350) - -
ID de Numisquare 8288923620
Información adicional

Historical Context: This silver obol, minted by the Arcadian city of Stymphalos around 350 BC, reflects a period of significant political flux in ancient Greece. Stymphalos, nestled in the rugged Peloponnese, maintained autonomy amidst the shifting hegemonies of Sparta, Thebes, and Macedon. As a fractional denomination, the obol served as the backbone of daily commerce, reflecting the local economy and the city-state's independent role within the broader Arcadian League. Its issuance underscores Stymphalos's self-governance and economic vitality.

Artistry: The design of this obol is characteristic of Late Classical Greek numismatic art; no specific engraver is attributed to such fractional issues. The obverse features a finely rendered head of Artemis, facing right, often depicted with a wreath or diadem, embodying the region's reverence for the hunt goddess. The reverse proudly displays the iconic Stymphalian Bird, standing left, a direct allusion to one of Heracles' legendary labors. This choice roots the coin firmly in Stymphalos's local mythology and identity.

Technical/Grading: Weighing 0.91 grams and measuring 11.0 millimeters, this silver obol adheres to the standard metrics for its denomination. High-points for strike assessment on the obverse include Artemis's hair, eye, and nose. On the reverse, the bird's head, wings, and legs are critical. A well-struck example would exhibit sharp details on these elements, with minimal flan irregularities. Centering is typically good, ensuring both the deity and the bird are fully present.

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