25 Francs

Эмитент French Equatorial Africa
Год 1958
Тип Standard circulation coin
Номинал 25 Francs (25 FCFA)
Валюта CFA franc (1945-1960)
Состав Aluminium bronze
Вес 7.9 g
Диаметр 27 mm
Толщина 2 mm
Форма Round
Техника Milled
Ориентация Coin alignment ↑↓
Гравёр(ы) Lucien Georges Bazor
В обращении до
Каталожные номера KM#12, Lec#31
Описание аверса Three giant elands left, date below.
Письменность аверса Latin
Надписи аверса AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
Описание реверса Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
Письменность реверса Latin
Надписи реверса 25 FRANCS
Гурт Reeded
Монетный двор Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Тираж 1958 - - 12 000 000
ID Numisquare 5918438850
Дополнительная информация

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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