25 Francs

صادرکننده French Equatorial Africa
سال 1958
نوع Standard circulation coin
ارزش 25 Francs (25 FCFA)
واحد پول CFA franc (1945-1960)
ترکیب Aluminium bronze
وزن 7.9 g
قطر 27 mm
ضخامت 2 mm
شکل Round
تکنیک Milled
جهت Coin alignment ↑↓
حکاک(ها) Lucien Georges Bazor
در گردش تا
مرجع(ها) KM#12, Lec#31
توضیحات روی سکه Three giant elands left, date below.
خط روی سکه Latin
نوشته‌های روی سکه AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
توضیحات پشت سکه Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
خط پشت سکه Latin
نوشته‌های پشت سکه 25 FRANCS
لبه Reeded
ضرابخانه Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
تیراژ ضرب 1958 - - 12 000 000
شناسه Numisquare 5918438850
اطلاعات تکمیلی

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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