25 Francs

Émetteur French Equatorial Africa
Année 1958
Type Standard circulation coin
Valeur 25 Francs (25 FCFA)
Devise CFA franc (1945-1960)
Composition Aluminium bronze
Poids 7.9 g
Diamètre 27 mm
Épaisseur 2 mm
Forme Round
Technique Milled
Orientation Coin alignment ↑↓
Graveur(s) Lucien Georges Bazor
En circulation jusqu’à
Référence(s) KM#12, Lec#31
Description de l’avers Three giant elands left, date below.
Écriture de l’avers Latin
Légende de l’avers AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
Description du revers Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
Écriture du revers Latin
Légende du revers 25 FRANCS
Tranche Reeded
Atelier Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirage 1958 - - 12 000 000
ID Numisquare 5918438850
Informations supplémentaires

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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