25 Francs

Issuer French Equatorial Africa
Year 1958
Type Standard circulation coin
Value 25 Francs (25 FCFA)
Currency CFA franc (1945-1960)
Composition Aluminium bronze
Weight 7.9 g
Diameter 27 mm
Thickness 2 mm
Shape Round
Technique Milled
Orientation Coin alignment ↑↓
Engraver(s) Lucien Georges Bazor
In circulation to
Reference(s) KM#12, Lec#31
Obverse description Three giant elands left, date below.
Obverse script Latin
Obverse lettering AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
Reverse description Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
Reverse script Latin
Reverse lettering 25 FRANCS
Edge Reeded
Mint Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Mintage 1958 - - 12 000 000
Numisquare ID 5918438850
Additional information

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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