25 Francs

発行体 French Equatorial Africa
年号 1958
種類 Standard circulation coin
額面 25 Francs (25 FCFA)
通貨 CFA franc (1945-1960)
材質 Aluminium bronze
重量 7.9 g
直径 27 mm
厚さ 2 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Lucien Georges Bazor
流通終了年
参考文献 KM#12, Lec#31
表面の説明 Three giant elands left, date below.
表面の文字体系 Latin
表面の銘文 AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
裏面の説明 Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
裏面の文字体系 Latin
裏面の銘文 25 FRANCS
Reeded
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1958 - - 12 000 000
Numisquare ID 5918438850
追加情報

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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