25 Francs

Emisor French Equatorial Africa
Año 1958
Tipo Standard circulation coin
Valor 25 Francs (25 FCFA)
Moneda CFA franc (1945-1960)
Composición Aluminium bronze
Peso 7.9 g
Diámetro 27 mm
Grosor 2 mm
Forma Round
Técnica Milled
Orientación Coin alignment ↑↓
Grabador(es) Lucien Georges Bazor
En circulación hasta
Referencia(s) KM#12, Lec#31
Descripción del anverso Three giant elands left, date below.
Escritura del anverso Latin
Leyenda del anverso AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
Descripción del reverso Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
Escritura del reverso Latin
Leyenda del reverso 25 FRANCS
Canto Reeded
Casa de moneda Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirada 1958 - - 12 000 000
ID de Numisquare 5918438850
Información adicional

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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