25 Francs

Emitent French Equatorial Africa
Rok 1958
Typ Standard circulation coin
Nominał 25 Francs (25 FCFA)
Waluta CFA franc (1945-1960)
Skład Aluminium bronze
Waga 7.9 g
Średnica 27 mm
Grubość 2 mm
Kształt Round
Technika Milled
Orientacja Coin alignment ↑↓
Rytownik(zy) Lucien Georges Bazor
W obiegu do
Źródło(a) KM#12, Lec#31
Opis awersu Three giant elands left, date below.
Pismo awersu Latin
Legenda awersu AFRIQUE EQUATORIALE FRANCAISE INSTITUT D`EMISSION G.B.L.BAZOR 1958 CAMEROUN
(Translation: French Equatorial Africa Currency Institute 1958 Cameroon)
Opis rewersu Denomination within wreath of major Cameroonian crops, including cotton, coffee, cocoa and grains.
Pismo rewersu Latin
Legenda rewersu 25 FRANCS
Krawędź Reeded
Mennica Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Nakład 1958 - - 12 000 000
ID Numisquare 5918438850
Dodatkowe informacje

Historical Context: The 1958 25 Francs from French Equatorial Africa (AEF) marks a pivotal moment. Issued as the French Fourth Republic waned and the Fifth Republic emerged, this coin immediately precedes the 1958 referendum offering French territories autonomy or independence. Representing a unified federation of four future nations, it is a tangible artifact of a rapidly dissolving colonial entity, just two years before its constituent territories achieved full independence.

Artistry: This 25 Francs coin exemplifies late colonial French numismatic style. The obverse Marianne bust, often attributed to Henri-Auguste Patey, adheres to classical French tradition adapted for colonial issues. Marianne, emblematic of the French Republic, graces the obverse. The reverse commonly depicts a gazelle, symbolizing the region's fauna, alongside the denomination. This artistic execution balances allegorical representation with regional specificity, typical of Monnaie de Paris for its overseas territories.

Technical/Grading: Struck in aluminium bronze, this 25 Francs piece typically exhibits a good strike, though variations occur. Key high-points for assessing wear on the obverse include Marianne's hair strands, ear, and laurel wreath. On the reverse, critical areas for detail retention are the gazelle's horns, ears, and leg musculature. The alloy generally produces a satiny luster, yet shows circulation on raised elements relatively quickly. Collectors should examine planchet quality and die state for optimal examples.

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