2 Francs

发行方 French West Africa
年份 1948-1955
类型 Standard circulation coin
面值 2 Francs (2 FCFA)
货币 CFA franc (1944-1958)
材质 Aluminium (95% Aluminium, 5% Magnesium)
重量 2.24 g
直径 27 mm
厚度 1.94 mm
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Lucien Georges Bazor
流通至
参考资料 KM#4, Schön#4
正面描述 Marianne`s head, facing left, wearing a winged Phrygian cap. Several ships in the background. Date below exergue line, followed by privy mark.
正面文字 Latin
正面铭文 REPUBLIQUE FRANÇAISE UNION FRANÇAISE L. BAZOR GB 1948
背面描述 Leptoceros gazelle head facing divides denomination, various crops.
背面文字 Latin
背面铭文 2 F. AFRIQUE OCCIDENTALE FRANÇAISE
边缘 Plain
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1948 - (fr) Lec#11 - 12 665 000
1955 - (fr) Lec#12 - 1 400 000
Numisquare 编号 4077731930
附加信息

Historical Context: Issued for French West Africa between 1948 and 1955, this 2 Francs coin signifies a critical post-World War II era under the French Fourth Republic. Its production reflects France's efforts to stabilize and reassert colonial administration amidst rising independence movements. As a vital medium of exchange across the vast federation, the coin affirmed French economic and political authority in a resource-rich region. It highlights the complex dynamics of a colonial power striving to maintain control in a rapidly changing global landscape.

Artistry: Characteristic of the Monnaie de Paris, which produced coinage for the French Union, the stylistic school is republican classicism. The obverse typically features an allegorical representation of the French Republic, often a head of Marianne. The reverse displays the denomination, year, and issuer, frequently encircled by agricultural motifs such as wheat or palm branches, symbolizing the region's economic output. This design, adapted for colonial circulation, balances aesthetic appeal with mass production requirements.

Technical/Grading: Struck in a lightweight aluminium alloy (95% Aluminium, 5% Magnesium), this 2.24 gram, 27 mm coin presents specific grading considerations. The soft nature of aluminium often results in weaker strikes, particularly on fine details like hair strands or delicate textures of agricultural symbols. High-points for wear typically include the highest relief areas of the obverse portrait (e.g., cheekbone, hair, cap) and the raised elements of the reverse wreath or lettering. Surface marks, bag marks, and minor bending are common due to the metal's malleability and its dimensions.

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