2 Francs

発行体 French West Africa
年号 1948-1955
種類 Standard circulation coin
額面 2 Francs (2 FCFA)
通貨 CFA franc (1944-1958)
材質 Aluminium (95% Aluminium, 5% Magnesium)
重量 2.24 g
直径 27 mm
厚さ 1.94 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Lucien Georges Bazor
流通終了年
参考文献 KM#4, Schön#4
表面の説明 Marianne`s head, facing left, wearing a winged Phrygian cap. Several ships in the background. Date below exergue line, followed by privy mark.
表面の文字体系 Latin
表面の銘文 REPUBLIQUE FRANÇAISE UNION FRANÇAISE L. BAZOR GB 1948
裏面の説明 Leptoceros gazelle head facing divides denomination, various crops.
裏面の文字体系 Latin
裏面の銘文 2 F. AFRIQUE OCCIDENTALE FRANÇAISE
Plain
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1948 - (fr) Lec#11 - 12 665 000
1955 - (fr) Lec#12 - 1 400 000
Numisquare ID 4077731930
追加情報

Historical Context: Issued for French West Africa between 1948 and 1955, this 2 Francs coin signifies a critical post-World War II era under the French Fourth Republic. Its production reflects France's efforts to stabilize and reassert colonial administration amidst rising independence movements. As a vital medium of exchange across the vast federation, the coin affirmed French economic and political authority in a resource-rich region. It highlights the complex dynamics of a colonial power striving to maintain control in a rapidly changing global landscape.

Artistry: Characteristic of the Monnaie de Paris, which produced coinage for the French Union, the stylistic school is republican classicism. The obverse typically features an allegorical representation of the French Republic, often a head of Marianne. The reverse displays the denomination, year, and issuer, frequently encircled by agricultural motifs such as wheat or palm branches, symbolizing the region's economic output. This design, adapted for colonial circulation, balances aesthetic appeal with mass production requirements.

Technical/Grading: Struck in a lightweight aluminium alloy (95% Aluminium, 5% Magnesium), this 2.24 gram, 27 mm coin presents specific grading considerations. The soft nature of aluminium often results in weaker strikes, particularly on fine details like hair strands or delicate textures of agricultural symbols. High-points for wear typically include the highest relief areas of the obverse portrait (e.g., cheekbone, hair, cap) and the raised elements of the reverse wreath or lettering. Surface marks, bag marks, and minor bending are common due to the metal's malleability and its dimensions.

×