Каталог
| Эмитент | Kings of Paeonia |
|---|---|
| Год | 315 BC - 286 BC |
| Тип | Standard circulation coin |
| Номинал | Tetradrachm (4) |
| Валюта | Drachm (480-286BC) |
| Состав | Silver |
| Вес | 12.17 g |
| Диаметр | 24 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | SNG ANS 7#1054 , AMNG III#1 , Dewing#1232 |
| Описание аверса | Head of Athena facing slightly to left, wearing a triple-crested Attic helmet. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Horse at pace right, monogram below. |
| Письменность реверса | Greek |
| Надписи реверса | ΑΥΔΩΛΕΟΝ ΤΟΣ |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (315 BC - 286 BC) - - |
| ID Numisquare | 8040190450 |
| Дополнительная информация |
Historical Context: This silver tetradrachm was issued under Audoleon, King of Paeonia (c. 315-286 BC), a period of post-Alexandrian political flux. Paeonia, north of Macedon, maintained a precarious semi-independent status, often influenced by its powerful neighbor. Audoleon's coinage reflects relative stability and economic participation within the Hellenistic world. Production of such silver denominations underscores Paeonia's engagement with broader monetary systems.
Artistry: The artistic style of this tetradrachm aligns with the Hellenistic tradition, heavily influenced by contemporary Macedonian coinage, particularly Alexander III's issues. No specific engraver is attributed, but craftsmanship indicates skilled artisans. Typical designs for Audoleon’s tetradrachms feature an obverse bust of Apollo, laureate, facing right, and a reverse depicting a prancing horse, often with the king's name. This iconography subtly asserts Paeonian identity while maintaining a recognizable Greek aesthetic.
Technical/Grading: Struck in silver, this tetradrachm weighs 12.17 grams and measures 24 millimeters, consistent with the standard for the type. Critical high-points for assessing wear and grade include highest relief areas of the obverse portrait, such as Apollo's hair and cheek, and on the reverse, the horse's head, mane, and musculature. A superior example displays sharp details, good centering on a well-formed flan, and a strong, even strike, often preserving original luster. Technical strike quality can vary, affecting overall eye appeal.