Catalogus
| Uitgever | Kings of Paeonia |
|---|---|
| Jaar | 315 BC - 286 BC |
| Type | Standard circulation coin |
| Waarde | Tetradrachm (4) |
| Valuta | Drachm (480-286BC) |
| Samenstelling | Silver |
| Gewicht | 12.17 g |
| Diameter | 24 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Variable alignment ↺ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | SNG ANS 7#1054 , AMNG III#1 , Dewing#1232 |
| Beschrijving voorzijde | Head of Athena facing slightly to left, wearing a triple-crested Attic helmet. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Horse at pace right, monogram below. |
| Schrift keerzijde | Greek |
| Opschrift keerzijde | ΑΥΔΩΛΕΟΝ ΤΟΣ |
| Rand | |
| Muntplaats | |
| Oplage |
ND (315 BC - 286 BC) - - |
| Numisquare-ID | 8040190450 |
| Aanvullende informatie |
Historical Context: This silver tetradrachm was issued under Audoleon, King of Paeonia (c. 315-286 BC), a period of post-Alexandrian political flux. Paeonia, north of Macedon, maintained a precarious semi-independent status, often influenced by its powerful neighbor. Audoleon's coinage reflects relative stability and economic participation within the Hellenistic world. Production of such silver denominations underscores Paeonia's engagement with broader monetary systems.
Artistry: The artistic style of this tetradrachm aligns with the Hellenistic tradition, heavily influenced by contemporary Macedonian coinage, particularly Alexander III's issues. No specific engraver is attributed, but craftsmanship indicates skilled artisans. Typical designs for Audoleon’s tetradrachms feature an obverse bust of Apollo, laureate, facing right, and a reverse depicting a prancing horse, often with the king's name. This iconography subtly asserts Paeonian identity while maintaining a recognizable Greek aesthetic.
Technical/Grading: Struck in silver, this tetradrachm weighs 12.17 grams and measures 24 millimeters, consistent with the standard for the type. Critical high-points for assessing wear and grade include highest relief areas of the obverse portrait, such as Apollo's hair and cheek, and on the reverse, the horse's head, mane, and musculature. A superior example displays sharp details, good centering on a well-formed flan, and a strong, even strike, often preserving original luster. Technical strike quality can vary, affecting overall eye appeal.