40 Francs Pattern

发行方 French Equatorial Africa
年份 1958
类型 Coin pattern
面值 40 Francs (40 FCFA)
货币 CFA franc (1945-1960)
材质 Aluminium bronze
重量 8 g
直径 27 mm
厚度
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Maurice Delannoy
流通至
参考资料 KM#Pn3, Lec#22
正面描述 Mask within a diamond frame.
正面文字 Latin
正面铭文 AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
背面描述
背面文字 Latin
背面铭文 40 FRANCS
边缘
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 ND (1958) - - 33
Numisquare 编号 2600610270
附加信息

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

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