40 Francs Pattern

Émetteur French Equatorial Africa
Année 1958
Type Coin pattern
Valeur 40 Francs (40 FCFA)
Devise CFA franc (1945-1960)
Composition Aluminium bronze
Poids 8 g
Diamètre 27 mm
Épaisseur
Forme Round
Technique Milled
Orientation Coin alignment ↑↓
Graveur(s) Maurice Delannoy
En circulation jusqu’à
Référence(s) KM#Pn3, Lec#22
Description de l’avers Mask within a diamond frame.
Écriture de l’avers Latin
Légende de l’avers AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
Description du revers
Écriture du revers Latin
Légende du revers 40 FRANCS
Tranche
Atelier Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirage ND (1958) - - 33
ID Numisquare 2600610270
Informations supplémentaires

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

×