40 Francs Pattern

Emittent French Equatorial Africa
Jahr 1958
Typ Coin pattern
Nennwert 40 Francs (40 FCFA)
Währung CFA franc (1945-1960)
Material Aluminium bronze
Gewicht 8 g
Durchmesser 27 mm
Dicke
Form Round
Prägetechnik Milled
Ausrichtung Coin alignment ↑↓
Stempelschneider Maurice Delannoy
Im Umlauf bis
Referenz(en) KM#Pn3, Lec#22
Aversbeschreibung Mask within a diamond frame.
Aversschrift Latin
Averslegende AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
Reversbeschreibung
Reversschrift Latin
Reverslegende 40 FRANCS
Rand
Prägestätte Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Auflage ND (1958) - - 33
Numisquare-ID 2600610270
Zusätzliche Informationen

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

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