40 Francs Pattern

Emittente French Equatorial Africa
Anno 1958
Tipo Coin pattern
Valore 40 Francs (40 FCFA)
Valuta CFA franc (1945-1960)
Composizione Aluminium bronze
Peso 8 g
Diametro 27 mm
Spessore
Forma Round
Tecnica Milled
Orientamento Coin alignment ↑↓
Incisore/i Maurice Delannoy
In circolazione fino al
Riferimento/i KM#Pn3, Lec#22
Descrizione del dritto Mask within a diamond frame.
Scrittura del dritto Latin
Legenda del dritto AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
Descrizione del rovescio
Scrittura del rovescio Latin
Legenda del rovescio 40 FRANCS
Bordo
Zecca Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tiratura ND (1958) - - 33
ID Numisquare 2600610270
Informazioni aggiuntive

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

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