40 Francs Pattern

Đơn vị phát hành French Equatorial Africa
Năm 1958
Loại Coin pattern
Mệnh giá 40 Francs (40 FCFA)
Tiền tệ CFA franc (1945-1960)
Chất liệu Aluminium bronze
Trọng lượng 8 g
Đường kính 27 mm
Độ dày
Hình dạng Round
Kỹ thuật Milled
Hướng Coin alignment ↑↓
Nghệ nhân khắc Maurice Delannoy
Lưu hành đến
Tài liệu tham khảo KM#Pn3, Lec#22
Mô tả mặt trước Mask within a diamond frame.
Chữ viết mặt trước Latin
Chữ khắc mặt trước AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
Mô tả mặt sau
Chữ viết mặt sau Latin
Chữ khắc mặt sau 40 FRANCS
Cạnh
Xưởng đúc Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Số lượng đúc ND (1958) - - 33
ID Numisquare 2600610270
Thông tin bổ sung

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

×