Danh mục
| Đơn vị phát hành | French Equatorial Africa |
|---|---|
| Năm | 1958 |
| Loại | Coin pattern |
| Mệnh giá | 40 Francs (40 FCFA) |
| Tiền tệ | CFA franc (1945-1960) |
| Chất liệu | Aluminium bronze |
| Trọng lượng | 8 g |
| Đường kính | 27 mm |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | Coin alignment ↑↓ |
| Nghệ nhân khắc | Maurice Delannoy |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#Pn3, Lec#22 |
| Mô tả mặt trước | Mask within a diamond frame. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước |
AFRIQUE CENTRALE BANQUE D`EMISSION (Translation: Central Africa Issuance Bank) |
| Mô tả mặt sau | |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | 40 FRANCS |
| Cạnh | |
| Xưởng đúc |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| Số lượng đúc |
ND (1958) - - 33 |
| ID Numisquare | 2600610270 |
| Thông tin bổ sung |
Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.
Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.
Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.