40 Francs Pattern

Emissor French Equatorial Africa
Ano 1958
Tipo Coin pattern
Valor 40 Francs (40 FCFA)
Moeda CFA franc (1945-1960)
Composição Aluminium bronze
Peso 8 g
Diâmetro 27 mm
Espessura
Formato Round
Técnica Milled
Orientação Coin alignment ↑↓
Gravador(es) Maurice Delannoy
Em circulação até
Referência(s) KM#Pn3, Lec#22
Descrição do anverso Mask within a diamond frame.
Escrita do anverso Latin
Legenda do anverso AFRIQUE CENTRALE BANQUE D`EMISSION
(Translation: Central Africa Issuance Bank)
Descrição do reverso
Escrita do reverso Latin
Legenda do reverso 40 FRANCS
Bordo
Casa da moeda Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tiragem ND (1958) - - 33
ID Numisquare 2600610270
Informações adicionais

Historical Context: The 1958 40 Francs pattern from French Equatorial Africa emerges from a crucial juncture in colonial history. This year marked the establishment of the French Fifth Republic under Charles de Gaulle and the referendum offering colonies autonomy within the French Community or immediate independence. French Equatorial Africa, comprising Gabon, Middle Congo, Ubangi-Shari, and Chad, opted for autonomy. This pattern represents a late-stage colonial monetary experiment, preceding the full independence of its constituent territories in 1960 and the shift from a unified colonial currency.

Artistry: While the specific engraver is often undocumented for patterns, its design would have originated from the French academic tradition prevalent at the Paris Mint. Patterns served as preliminary studies, often featuring simplified designs focusing on denomination and issuer, or allegorical representations. The unusual 40 Francs denomination suggests a specific economic or experimental purpose, potentially exploring alternative monetary units. The aesthetic would reflect the clean, formal lines characteristic of French numismatic art of the mid-20th century.

Technical/Grading: Struck in aluminium bronze, weighing 8 grams and measuring 27 millimeters, this pattern would typically exhibit a sharp strike, characteristic of trial pieces from fresh dies. High points for wear, depending on the specific design, commonly include the highest relief elements of any allegorical figures, lettering, or the rim. Aluminium bronze is susceptible to surface marks, making well-preserved examples with minimal contact marks particularly desirable. Collectors should scrutinize fields for original luster and strike quality.

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