目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Full-length frontal effigy of Saint Martin of Tours vested in episcopal pontificals, wearing a mitre and holding a crozier in his left hand, set within a rope-bordered inner circle. The saint is depicted in a hieratic, stylized manner characteristic of early seventeenth-century Swiss hammered coinage. The surrounding circular Latin legend identifies him as bishop and patron saint. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | SANCT·MARTIN·EPISCO: |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Uri was the smallest of the original Swiss forest cantons, yet it maintained its own coinage rights fiercely. The Dicken series of this period was struck at a moment when the canton's strategic position controlling the Saint Gotthard Pass gave it outsized political leverage relative to its population — that pass was the most direct Alpine route between northern Europe and Italy, and the revenue it generated funded exactly these kinds of sovereignty-asserting monetary issues.
Production across the 1617–1622 window was sporadic rather than continuous, tied to intermittent arrangements with neighboring minting facilities rather than a permanent cantonal mint.