Katalog
| İhraççı | Mesocco, Lordship of |
|---|---|
| Yıl | 1487-1518 |
| Tür | Standard circulation coin |
| Değer | 1 Denier (1⁄96) |
| Para birimi | Testone (1487-1549) |
| Bileşim | Copper |
| Ağırlık | 0.77 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HMZ 1#2-577a, MIR#996 |
| Ön yüz açıklaması | Crowned m. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Cross fleury. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | ✠ TRIVVLTII . COMITIS |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1487-1518) - - |
| Numisquare Kimliği | 3602681090 |
| Ek bilgiler |
Historical Context: The Denar of Johann Jakob Trivulzio, issued from the Lordship of Mesocco between 1487 and 1518, encapsulates a dynamic period in northern Italian history. Trivulzio, a renowned condottiero and Marquis of Vigevano, wielded significant military and political power, often aligning with France during the Italian Wars. His control over Mesocco, a strategic Alpine pass in the Grisons, underscored his broader territorial ambitions and the complex feudal landscape. This copper coinage served as a tangible symbol of his authority and economic presence.
Artistry: The design of this Denar, typical for small copper issues of its time and region, reflects a pragmatic approach to numismatic art. While specific engravers remain anonymous, the stylistic school leans towards a simplified late Gothic aesthetic, often incorporating heraldic elements or a basic bust of the ruler on the obverse. The reverse commonly featured a cross or a simpler dynastic emblem, accompanied by abbreviated Latin legends. The small module and base metal necessitated clear, rudimentary iconography, prioritizing legibility over intricate artistic detail.
Technical/Grading: Struck in copper at 0.77 grams, this Denar exemplifies the technical challenges of early modern coinage. High-points, such as central features of an effigy or the arms of a cross, are often the first areas to exhibit wear. The technical strike quality is typically variable; issues from minor lordships frequently display irregular planchets, off-center strikes, and weak pressure, leading to incomplete legends or design elements. Planchet imperfections like laminations or surface irregularities are also common, impacting visual appeal and grade.