Каталог
| Эмитент | Mesocco, Lordship of |
|---|---|
| Год | 1487-1518 |
| Тип | Standard circulation coin |
| Номинал | 1 Denier (1⁄96) |
| Валюта | Testone (1487-1549) |
| Состав | Copper |
| Вес | 0.77 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | HMZ 1#2-577a, MIR#996 |
| Описание аверса | Crowned m. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | |
| Описание реверса | Cross fleury. |
| Письменность реверса | Latin |
| Надписи реверса | ✠ TRIVVLTII . COMITIS |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1487-1518) - - |
| ID Numisquare | 3602681090 |
| Дополнительная информация |
Historical Context: The Denar of Johann Jakob Trivulzio, issued from the Lordship of Mesocco between 1487 and 1518, encapsulates a dynamic period in northern Italian history. Trivulzio, a renowned condottiero and Marquis of Vigevano, wielded significant military and political power, often aligning with France during the Italian Wars. His control over Mesocco, a strategic Alpine pass in the Grisons, underscored his broader territorial ambitions and the complex feudal landscape. This copper coinage served as a tangible symbol of his authority and economic presence.
Artistry: The design of this Denar, typical for small copper issues of its time and region, reflects a pragmatic approach to numismatic art. While specific engravers remain anonymous, the stylistic school leans towards a simplified late Gothic aesthetic, often incorporating heraldic elements or a basic bust of the ruler on the obverse. The reverse commonly featured a cross or a simpler dynastic emblem, accompanied by abbreviated Latin legends. The small module and base metal necessitated clear, rudimentary iconography, prioritizing legibility over intricate artistic detail.
Technical/Grading: Struck in copper at 0.77 grams, this Denar exemplifies the technical challenges of early modern coinage. High-points, such as central features of an effigy or the arms of a cross, are often the first areas to exhibit wear. The technical strike quality is typically variable; issues from minor lordships frequently display irregular planchets, off-center strikes, and weak pressure, leading to incomplete legends or design elements. Planchet imperfections like laminations or surface irregularities are also common, impacting visual appeal and grade.