Catálogo
| Emisor | Mesocco, Lordship of |
|---|---|
| Año | 1487-1518 |
| Tipo | Standard circulation coin |
| Valor | 1 Denier (1⁄96) |
| Moneda | Testone (1487-1549) |
| Composición | Copper |
| Peso | 0.77 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | HMZ 1#2-577a, MIR#996 |
| Descripción del anverso | Crowned m. |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso | |
| Descripción del reverso | Cross fleury. |
| Escritura del reverso | Latin |
| Leyenda del reverso | ✠ TRIVVLTII . COMITIS |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1487-1518) - - |
| ID de Numisquare | 3602681090 |
| Información adicional |
Historical Context: The Denar of Johann Jakob Trivulzio, issued from the Lordship of Mesocco between 1487 and 1518, encapsulates a dynamic period in northern Italian history. Trivulzio, a renowned condottiero and Marquis of Vigevano, wielded significant military and political power, often aligning with France during the Italian Wars. His control over Mesocco, a strategic Alpine pass in the Grisons, underscored his broader territorial ambitions and the complex feudal landscape. This copper coinage served as a tangible symbol of his authority and economic presence.
Artistry: The design of this Denar, typical for small copper issues of its time and region, reflects a pragmatic approach to numismatic art. While specific engravers remain anonymous, the stylistic school leans towards a simplified late Gothic aesthetic, often incorporating heraldic elements or a basic bust of the ruler on the obverse. The reverse commonly featured a cross or a simpler dynastic emblem, accompanied by abbreviated Latin legends. The small module and base metal necessitated clear, rudimentary iconography, prioritizing legibility over intricate artistic detail.
Technical/Grading: Struck in copper at 0.77 grams, this Denar exemplifies the technical challenges of early modern coinage. High-points, such as central features of an effigy or the arms of a cross, are often the first areas to exhibit wear. The technical strike quality is typically variable; issues from minor lordships frequently display irregular planchets, off-center strikes, and weak pressure, leading to incomplete legends or design elements. Planchet imperfections like laminations or surface irregularities are also common, impacting visual appeal and grade.