Catalogue
| Émetteur | Mesocco, Lordship of |
|---|---|
| Année | 1487-1518 |
| Type | Standard circulation coin |
| Valeur | 1 Denier (1⁄96) |
| Devise | Testone (1487-1549) |
| Composition | Copper |
| Poids | 0.77 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HMZ 1#2-577a, MIR#996 |
| Description de l’avers | Crowned m. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | |
| Description du revers | Cross fleury. |
| Écriture du revers | Latin |
| Légende du revers | ✠ TRIVVLTII . COMITIS |
| Tranche | |
| Atelier | |
| Tirage |
ND (1487-1518) - - |
| ID Numisquare | 3602681090 |
| Informations supplémentaires |
Historical Context: The Denar of Johann Jakob Trivulzio, issued from the Lordship of Mesocco between 1487 and 1518, encapsulates a dynamic period in northern Italian history. Trivulzio, a renowned condottiero and Marquis of Vigevano, wielded significant military and political power, often aligning with France during the Italian Wars. His control over Mesocco, a strategic Alpine pass in the Grisons, underscored his broader territorial ambitions and the complex feudal landscape. This copper coinage served as a tangible symbol of his authority and economic presence.
Artistry: The design of this Denar, typical for small copper issues of its time and region, reflects a pragmatic approach to numismatic art. While specific engravers remain anonymous, the stylistic school leans towards a simplified late Gothic aesthetic, often incorporating heraldic elements or a basic bust of the ruler on the obverse. The reverse commonly featured a cross or a simpler dynastic emblem, accompanied by abbreviated Latin legends. The small module and base metal necessitated clear, rudimentary iconography, prioritizing legibility over intricate artistic detail.
Technical/Grading: Struck in copper at 0.77 grams, this Denar exemplifies the technical challenges of early modern coinage. High-points, such as central features of an effigy or the arms of a cross, are often the first areas to exhibit wear. The technical strike quality is typically variable; issues from minor lordships frequently display irregular planchets, off-center strikes, and weak pressure, leading to incomplete legends or design elements. Planchet imperfections like laminations or surface irregularities are also common, impacting visual appeal and grade.