目录
| 发行方 | Cantii tribe (Celtic Britain) |
|---|---|
| 年份 | 1-10 |
| 类型 | Standard circulation coin |
| 面值 | Bronze 1/2 Unit |
| 货币 | Stater |
| 材质 | Bronze |
| 重量 | 1 g |
| 直径 | 11 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | Variable alignment ↺ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | ABC#381 |
| 正面描述 | Horse leaping right. Inscription below. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | SAM |
| 背面描述 | Griffin left, head turned back. Inscription below. |
| 背面文字 | Latin |
| 背面铭文 | SAM |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1-10) - - |
| Numisquare 编号 | 4403767550 |
| 附加信息 |
Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.
Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.
Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.