Katalog
| Emitent | Cantii tribe (Celtic Britain) |
|---|---|
| Rok | 1-10 |
| Typ | Standard circulation coin |
| Hodnota | Bronze 1/2 Unit |
| Měna | Stater |
| Složení | Bronze |
| Hmotnost | 1 g |
| Průměr | 11 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | ABC#381 |
| Popis líce | Horse leaping right. Inscription below. |
|---|---|
| Písmo líce | Latin |
| Opis líce | SAM |
| Popis rubu | Griffin left, head turned back. Inscription below. |
| Písmo rubu | Latin |
| Opis rubu | SAM |
| Hrana | |
| Mincovna | |
| Náklad |
ND (1-10) - - |
| ID Numisquare | 4403767550 |
| Další informace |
Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.
Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.
Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.