Catalog
| Issuer | Cantii tribe (Celtic Britain) |
|---|---|
| Year | 1-10 |
| Type | Standard circulation coin |
| Value | Bronze 1/2 Unit |
| Currency | Stater |
| Composition | Bronze |
| Weight | 1 g |
| Diameter | 11 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | ABC#381 |
| Obverse description | Horse leaping right. Inscription below. |
|---|---|
| Obverse script | Latin |
| Obverse lettering | SAM |
| Reverse description | Griffin left, head turned back. Inscription below. |
| Reverse script | Latin |
| Reverse lettering | SAM |
| Edge | |
| Mint | |
| Mintage |
ND (1-10) - - |
| Numisquare ID | 4403767550 |
| Additional information |
Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.
Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.
Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.