کاتالوگ
| صادرکننده | Cantii tribe (Celtic Britain) |
|---|---|
| سال | 1-10 |
| نوع | Standard circulation coin |
| ارزش | Bronze 1/2 Unit |
| واحد پول | Stater |
| ترکیب | Bronze |
| وزن | 1 g |
| قطر | 11 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | ABC#381 |
| توضیحات روی سکه | Horse leaping right. Inscription below. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | SAM |
| توضیحات پشت سکه | Griffin left, head turned back. Inscription below. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | SAM |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (1-10) - - |
| شناسه Numisquare | 4403767550 |
| اطلاعات تکمیلی |
Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.
Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.
Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.