Bronze 1/2 Unit - Sam Sam

Emitent Cantii tribe (Celtic Britain)
Rok 1-10
Typ Standard circulation coin
Nominał Bronze 1/2 Unit
Waluta Stater
Skład Bronze
Waga 1 g
Średnica 11 mm
Grubość
Kształt Round (irregular)
Technika Hammered
Orientacja Variable alignment ↺
Rytownik(zy)
W obiegu do
Źródło(a) ABC#381
Opis awersu Horse leaping right. Inscription below.
Pismo awersu Latin
Legenda awersu SAM
Opis rewersu Griffin left, head turned back. Inscription below.
Pismo rewersu Latin
Legenda rewersu SAM
Krawędź
Mennica
Nakład ND (1-10) - -
ID Numisquare 4403767550
Dodatkowe informacje

Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.

Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.

Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.

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