Bronze 1/2 Unit - Sam Sam

Emittent Cantii tribe (Celtic Britain)
Jahr 1-10
Typ Standard circulation coin
Nennwert Bronze 1/2 Unit
Währung Stater
Material Bronze
Gewicht 1 g
Durchmesser 11 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung Variable alignment ↺
Stempelschneider
Im Umlauf bis
Referenz(en) ABC#381
Aversbeschreibung Horse leaping right. Inscription below.
Aversschrift Latin
Averslegende SAM
Reversbeschreibung Griffin left, head turned back. Inscription below.
Reversschrift Latin
Reverslegende SAM
Rand
Prägestätte
Auflage ND (1-10) - -
Numisquare-ID 4403767550
Zusätzliche Informationen

Historical Context: This Bronze 1/2 Unit, the "Sam Sam" type (ABC#381), was issued by the Cantii tribe in southeastern Celtic Britain, 1-10 AD. This era, preceding full Roman invasion, reflects evolving tribal economies and continental interaction. The Cantii, in modern Kent, maintained a distinct identity, though influenced by powerful neighbors. Issuance of small denomination bronze like this "1/2 Unit" signifies a developed local economy requiring fractional currency, complementing larger gold/silver issues and indicating societal sophistication.

Artistry: The engraver, customary for Celtic coinage, is unnamed. The "Sam Sam" type exemplifies Celtic artistic tradition: highly abstract, stylized interpretations of classical prototypes. Given the diminutive 11mm flan, the design is inherently simplified. While variations exist, these bronzes typically present a stylized head on the obverse, sometimes distantly derived from Roman imperial imagery, and a highly abstract horse on the reverse, often reduced to geometric lines and shapes, capturing its essence, not a literal representation.

Technical/Grading: Weighing 1 gram and measuring 11mm, this coin presented inherent striking challenges. Key high-points generally encompass central features of the stylized head and defining elements of the abstract horse. Due to Celtic bronze production, strikes are frequently irregular, off-centre, or weakly impressed. A superior example displays a relatively complete design within the flan, with discernible detail on intended high-points, despite artistic abstraction and common limitations of early British Celtic minting.

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