Katalog
| İhraççı | South African Republic |
|---|---|
| Yıl | 1874 |
| Tür | Coin pattern |
| Değer | 2 Pence (1⁄120) |
| Para birimi | Transvaal Patterns (1874-1890) |
| Bileşim | Bronze |
| Ağırlık | 10 g |
| Çap | 30.48 mm |
| Kalınlık | 1.9 mm |
| Şekil | Round |
| Teknik | Milled |
| Yönlendirme | Coin alignment ↑↓ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | X#Pn3, Hern#T19 |
| Ön yüz açıklaması | Transvaal`s full coat of arms encircled by pearled border, legend around |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | ZUID AFRIKAANSCHE REPUBLIEK |
| Arka yüz açıklaması | Denomination encircled by pearled border, date below |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | EENDRAGT - MAAKT - MAGT 2 PENCE MUNTSPROEVE * 1874 * [* = honeybee(left) & lion`s head(right)] |
| Kenar | Smooth |
| Darphane | |
| Basma adedi |
1874 - Proof; estimated mintage - 50 |
| Numisquare Kimliği | 2291457770 |
| Ek bilgiler |
Historical Context: The 1874 2 Pence pattern coin from the Zuid Afrikaansche Republiek (ZAR) originated during the presidency of Thomas François Burgers. This era was defined by Burgers's ambitious efforts to modernize the republic and assert its sovereignty through a distinct national coinage. This pattern symbolizes a pivotal moment in the ZAR's quest for economic independence and national identity, reflecting the republic's growing self-awareness.
Artistry: Otto Schulz designed this pattern, likely executed by Ralph Heaton & Sons. The obverse features a dignified bust of President Burgers, encircled by "ZUID AFRIKAANSCHE REPUBLIEK." The reverse powerfully depicts a Voortrekker ox-wagon, a profound national symbol of the Great Trek and Boer pioneering spirit, accompanied by "2 PENCE" and "1874." The design embodies a late Victorian aesthetic infused with strong nationalistic symbolism.
Technical/Grading: Struck in bronze, weighing 10 grams and 30.48 mm in diameter, this pattern exhibits characteristics typical of trial strikes. High points on the obverse are the president's hair and facial features; on the reverse, the oxen's backs, wagon canopy, and wheels. Patterns are often produced with exceptional care, yielding sharp details, full strikes, and sometimes proof-like fields. Absence of wear is paramount, with surface preservation and eye appeal critical grading factors.