10 Won

İhraççı South Korea
Yıl 1966-1970
Tür Standard circulation coin
Değer 10 Won
Para birimi New won (1962-date)
Bileşim Brass (88% Copper, 12% Zinc)
Ağırlık 4.22 g
Çap 22.86 mm
Kalınlık 1.38 mm
Şekil Round
Teknik Milled
Yönlendirme Coin alignment ↑↓
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) KM#6, Schön#56
Ön yüz açıklaması Dabotap Pagoda, located in Gyeongju, it is one of the national treasures. Value and `Bank of Korea` (Hangul)
Ön yüz yazısı Hangul
Ön yüz lejandı 십원 한국은행
(Translation: Ten Won Bank of Korea)
Arka yüz açıklaması Bank name and denomination and the issuer name below
Arka yüz yazısı Latin
Arka yüz lejandı 10 THE BANK OF KOREA 1967
Kenar Smooth
Darphane
Basma adedi 1966 - - 10 600 000
1967 - - 22 500 000
1968 - - 35 000 000
1969 - - 46 500 000
1970 - - 157 000 000
Numisquare Kimliği 4315752420
Ek bilgiler

Historical Context: Issued by South Korea from 1966 to 1970, this 10 Won coin emerged during the Third Republic under President Park Chung-hee. This era marked a transformative period of rapid industrialization and economic growth, famously dubbed the "Miracle on the Han River." Its introduction and widespread circulation underscore a stabilizing economy and increasing domestic purchasing power, crucial for daily transactions amidst a burgeoning consumer market post-Korean War.

Artistry: The coin’s design blends traditional symbolism with modern clarity. The obverse prominently displays the Dabotap Pagoda from Bulguksa Temple, a revered National Treasure, rendered with clean, precise lines. This symbolizes South Korea's rich cultural heritage and national pride. The reverse presents the denomination "10 WON" in both Hangul and English, alongside the issuing authority "한국은행" (Bank of Korea) and the year, executed in clear, functional typography.

Technical/Grading: Composed of brass (88% copper, 12% zinc), weighing 4.22 grams and measuring 22.86 millimeters, this coin exhibits typical characteristics for a high-circulation issue. For grading, examine the Dabotap Pagoda's intricate details, especially the edges of its multiple roofs and upper-tier decorative elements, as these are primary high-points susceptible to wear. Uncirculated examples retain a consistent, soft golden luster. Circulated pieces often show flattening in these areas and the lettering, with strike quality generally robust.

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