10 Won

Emitent South Korea
Rok 1966-1970
Typ Standard circulation coin
Nominał 10 Won
Waluta New won (1962-date)
Skład Brass (88% Copper, 12% Zinc)
Waga 4.22 g
Średnica 22.86 mm
Grubość 1.38 mm
Kształt Round
Technika Milled
Orientacja Coin alignment ↑↓
Rytownik(zy)
W obiegu do
Źródło(a) KM#6, Schön#56
Opis awersu Dabotap Pagoda, located in Gyeongju, it is one of the national treasures. Value and `Bank of Korea` (Hangul)
Pismo awersu Hangul
Legenda awersu 십원 한국은행
(Translation: Ten Won Bank of Korea)
Opis rewersu Bank name and denomination and the issuer name below
Pismo rewersu Latin
Legenda rewersu 10 THE BANK OF KOREA 1967
Krawędź Smooth
Mennica
Nakład 1966 - - 10 600 000
1967 - - 22 500 000
1968 - - 35 000 000
1969 - - 46 500 000
1970 - - 157 000 000
ID Numisquare 4315752420
Dodatkowe informacje

Historical Context: Issued by South Korea from 1966 to 1970, this 10 Won coin emerged during the Third Republic under President Park Chung-hee. This era marked a transformative period of rapid industrialization and economic growth, famously dubbed the "Miracle on the Han River." Its introduction and widespread circulation underscore a stabilizing economy and increasing domestic purchasing power, crucial for daily transactions amidst a burgeoning consumer market post-Korean War.

Artistry: The coin’s design blends traditional symbolism with modern clarity. The obverse prominently displays the Dabotap Pagoda from Bulguksa Temple, a revered National Treasure, rendered with clean, precise lines. This symbolizes South Korea's rich cultural heritage and national pride. The reverse presents the denomination "10 WON" in both Hangul and English, alongside the issuing authority "한국은행" (Bank of Korea) and the year, executed in clear, functional typography.

Technical/Grading: Composed of brass (88% copper, 12% zinc), weighing 4.22 grams and measuring 22.86 millimeters, this coin exhibits typical characteristics for a high-circulation issue. For grading, examine the Dabotap Pagoda's intricate details, especially the edges of its multiple roofs and upper-tier decorative elements, as these are primary high-points susceptible to wear. Uncirculated examples retain a consistent, soft golden luster. Circulated pieces often show flattening in these areas and the lettering, with strike quality generally robust.

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