10 Won

Emisor South Korea
Año 1966-1970
Tipo Standard circulation coin
Valor 10 Won
Moneda New won (1962-date)
Composición Brass (88% Copper, 12% Zinc)
Peso 4.22 g
Diámetro 22.86 mm
Grosor 1.38 mm
Forma Round
Técnica Milled
Orientación Coin alignment ↑↓
Grabador(es)
En circulación hasta
Referencia(s) KM#6, Schön#56
Descripción del anverso Dabotap Pagoda, located in Gyeongju, it is one of the national treasures. Value and `Bank of Korea` (Hangul)
Escritura del anverso Hangul
Leyenda del anverso 십원 한국은행
(Translation: Ten Won Bank of Korea)
Descripción del reverso Bank name and denomination and the issuer name below
Escritura del reverso Latin
Leyenda del reverso 10 THE BANK OF KOREA 1967
Canto Smooth
Casa de moneda
Tirada 1966 - - 10 600 000
1967 - - 22 500 000
1968 - - 35 000 000
1969 - - 46 500 000
1970 - - 157 000 000
ID de Numisquare 4315752420
Información adicional

Historical Context: Issued by South Korea from 1966 to 1970, this 10 Won coin emerged during the Third Republic under President Park Chung-hee. This era marked a transformative period of rapid industrialization and economic growth, famously dubbed the "Miracle on the Han River." Its introduction and widespread circulation underscore a stabilizing economy and increasing domestic purchasing power, crucial for daily transactions amidst a burgeoning consumer market post-Korean War.

Artistry: The coin’s design blends traditional symbolism with modern clarity. The obverse prominently displays the Dabotap Pagoda from Bulguksa Temple, a revered National Treasure, rendered with clean, precise lines. This symbolizes South Korea's rich cultural heritage and national pride. The reverse presents the denomination "10 WON" in both Hangul and English, alongside the issuing authority "한국은행" (Bank of Korea) and the year, executed in clear, functional typography.

Technical/Grading: Composed of brass (88% copper, 12% zinc), weighing 4.22 grams and measuring 22.86 millimeters, this coin exhibits typical characteristics for a high-circulation issue. For grading, examine the Dabotap Pagoda's intricate details, especially the edges of its multiple roofs and upper-tier decorative elements, as these are primary high-points susceptible to wear. Uncirculated examples retain a consistent, soft golden luster. Circulated pieces often show flattening in these areas and the lettering, with strike quality generally robust.

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