10 Won

Эмитент South Korea
Год 1966-1970
Тип Standard circulation coin
Номинал 10 Won
Валюта New won (1962-date)
Состав Brass (88% Copper, 12% Zinc)
Вес 4.22 g
Диаметр 22.86 mm
Толщина 1.38 mm
Форма Round
Техника Milled
Ориентация Coin alignment ↑↓
Гравёр(ы)
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Каталожные номера KM#6, Schön#56
Описание аверса Dabotap Pagoda, located in Gyeongju, it is one of the national treasures. Value and `Bank of Korea` (Hangul)
Письменность аверса Hangul
Надписи аверса 십원 한국은행
(Translation: Ten Won Bank of Korea)
Описание реверса Bank name and denomination and the issuer name below
Письменность реверса Latin
Надписи реверса 10 THE BANK OF KOREA 1967
Гурт Smooth
Монетный двор
Тираж 1966 - - 10 600 000
1967 - - 22 500 000
1968 - - 35 000 000
1969 - - 46 500 000
1970 - - 157 000 000
ID Numisquare 4315752420
Дополнительная информация

Historical Context: Issued by South Korea from 1966 to 1970, this 10 Won coin emerged during the Third Republic under President Park Chung-hee. This era marked a transformative period of rapid industrialization and economic growth, famously dubbed the "Miracle on the Han River." Its introduction and widespread circulation underscore a stabilizing economy and increasing domestic purchasing power, crucial for daily transactions amidst a burgeoning consumer market post-Korean War.

Artistry: The coin’s design blends traditional symbolism with modern clarity. The obverse prominently displays the Dabotap Pagoda from Bulguksa Temple, a revered National Treasure, rendered with clean, precise lines. This symbolizes South Korea's rich cultural heritage and national pride. The reverse presents the denomination "10 WON" in both Hangul and English, alongside the issuing authority "한국은행" (Bank of Korea) and the year, executed in clear, functional typography.

Technical/Grading: Composed of brass (88% copper, 12% zinc), weighing 4.22 grams and measuring 22.86 millimeters, this coin exhibits typical characteristics for a high-circulation issue. For grading, examine the Dabotap Pagoda's intricate details, especially the edges of its multiple roofs and upper-tier decorative elements, as these are primary high-points susceptible to wear. Uncirculated examples retain a consistent, soft golden luster. Circulated pieces often show flattening in these areas and the lettering, with strike quality generally robust.

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