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1 Mark Münster Cafe Diele
| Uitgever | Münster Cafe-Diele, Hameln |
|---|---|
| Jaar | 1921-1922 |
| Type | Local banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse vignette illustrates the Pied Piper of Hameln in period costume, playing his flute while leading a procession of children, rendered in a narrative illustrative style characteristic of Hameln Notgeld issues. The inscription references the historical event of 1284, framing the image within the local legend that defines the town's identity. Text is arranged above and below the central scene. |
| Opschrift keerzijde | Das Rattenfängerlied Der Kinderauszug anno 1284 zu Hameln |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
German notgeld from this period is common enough, but Hameln café scrip sits in an unusual niche — these were issued by a private commercial establishment, not a municipal authority or savings institution, meaning acceptance was entirely at the proprietor's discretion and limited to patrons. The Münster Cafe-Diele was meeting its small-change obligations the way hundreds of German businesses did during the coin shortage years of 1921–22, printing its own fractional currency and hoping customers would spend it back before asking for redemption.
The DeNG reference placing this within a run of three variants (565.1–3) suggests the café issued multiple designs across the series — not unusual for establishments that treated notgeld partly as advertising.