目录
| 发行方 | Southern Rhodesia (1932-1955) |
|---|---|
| 年份 | 1938-1939 |
| 类型 | Standard circulation coin |
| 面值 | 1/2 Penny (1⁄480) |
| 货币 | Pound (1932-1955) |
| 材质 | Copper-nickel |
| 重量 | 2.92 g |
| 直径 | 21.1 mm |
| 厚度 | |
| 形状 | Round with a round hole |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Obverse: Derwent Wood Reverse: Royal Mint Engravers |
| 流通至 | 1 January 1973 |
| 参考资料 | KM#14, Schön#8 |
| 正面描述 | A crowned flower design around the center hole, writing around |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | GEORGE VI KING EMPEROR |
| 背面描述 | The value is written within sprigs, hole in the center, name around outside, date below |
| 背面文字 | Latin |
| 背面铭文 | SOUTHERN RHODESIA HALF PENNY · 1938 · |
| 边缘 | Smooth |
| 铸币厂 | |
| 铸造量 |
1938 - - 240 000 1938 - Proof - 1939 - - 480 000 1939 - Proof - |
| Numisquare 编号 | 4422018370 |
| 附加信息 |
Historical Context: This 1/2 Penny coin, issued by Southern Rhodesia during 1938-1939, falls within the early reign of King George VI (1936-1952). As a self-governing British colony, Southern Rhodesia maintained its own distinct coinage, signifying its economic autonomy and burgeoning identity within the Empire. The pre-World War II issuance of this low denomination reflects its importance in daily commerce and the stable, yet developing, colonial economy, providing essential fractional currency for the local population.
Artistry: The obverse design features the bare head portrait of King George VI facing left, typically attributed to Thomas Humphrey Paget, whose work defined the royal effigy for this era. The stylistic school blends traditional British numismatic portraiture with a restrained, dignified modern classicism. The reverse prominently displays the iconic Zimbabwe Bird, a powerful indigenous symbol derived from ancient soapstone carvings, which served as a nascent national emblem for Southern Rhodesia, anchoring the design in local heritage and distinct identity.
Technical/Grading: Struck in copper-nickel, this coin generally exhibits good strike qualities, allowing for crisp detail. Key high-points for grading include the details of King George VI's hair above the ear and his earlobe on the obverse. On the reverse, critical areas are the head, chest, and individual wing feathers of the Zimbabwe Bird, along with the texture of the branch it perches upon. Sharpness in these areas, coupled with minimal field abrasions, indicates a higher grade and strong strike.