目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | The obverse bears three punch marks applied to the characteristic U-shaped gold flan: a figure of Garuda in motion, accompanied by two Kannada script characters, 'Ka' and 'Kara', the latter likely forming part of a dynastic or devotional epithet. The punch marks are distributed across the broad, irregular surface of the flan, their impressions shallow and consistent with hammered fanam production. The field shows the natural texture of the gold planchet with no formal border or legend. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | ಶ್ರೀ |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Chalukyas of Kalyani controlled much of the Deccan from their capital at Kalyani (modern Basavakalyan) through the 10th to 12th centuries, and their gold fanam issues — among the smallest denomination gold coins produced in medieval India — circulated alongside those of competing powers including the Paramaras and later the Kalachuris who briefly displaced the dynasty around 1130. The attribution of individual fanams to the dynasty proper versus its feudatories remains genuinely contested, as dependent chiefs struck near-identical types with only minute die differences that resist confident sorting even now.