Tetradrachm Apollokopf Type

Émetteur Uncertain Dacian tribes
Année 275 BC - 201 BC
Type Standard circulation coin
Valeur Tetradrachm (4)
Devise Drachm
Composition Silver
Poids 12.95 g
Diamètre
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) Kostial#537
Description de l’avers Facing head of Apollo.
Écriture de l’avers
Légende de l’avers
Description du revers Horseman riding left; circle of pellets (wreath) above, branch below.
Écriture du revers
Légende du revers
Tranche
Atelier
Tirage ND (275 BC - 201 BC) - -
ID Numisquare 6834606990
Informations supplémentaires

Historical Context: This Tetradrachm, the Apollokopf Type, was issued by uncertain Dacian tribes between 275 BC and 201 BC. It belongs to a broad category of "barbarian" imitations of Hellenistic coinage, primarily Macedonian types. Its production signifies growing economic sophistication and cultural interaction between Greek city-states and tribes north of the Danube. These coins facilitated trade, tribute, and served as symbols of emerging tribal power during regional flux.

Artistry: The coin’s artistry reflects a blend of Hellenistic influence and indigenous interpretation. The engraver is anonymous, but the design clearly adapts Greek prototypes, particularly the head of Apollo on the obverse. This depiction, derived from a classical model, is rendered in a distinct "barbarized" style. Characterized by simplification, bolder lines, and a more abstract interpretation, it showcases a unique stylistic evolution. The reverse often features a stylized chariot or rider.

Technical/Grading: Struck in silver, this example weighs 12.95 grams, indicative of a local or reduced weight standard compared to the full Attic tetradrachm. For grading, key high-points on the obverse include Apollo's hair, forehead, and facial features. Dacian imitations frequently exhibit variable strike quality, including off-centering, die wear, and flan irregularities. A strong strike would show clear definition of the stylized elements, particularly Apollo's expressive features, and minimal planchet flaws.

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