目录
| 正面描述 | Stylized laureate head of Zeus facing right, rendered in the Celtic-Dacian barbarous imitative tradition derived from Macedonian prototypes. The deeply engraved hair falls in thick, schematized waves from beneath the wreath, with the beard rendered as bold, curvilinear strokes. The portrait is set within a beaded border, occupying virtually the entire flan. The overall treatment reflects a progressive abstraction of the original Hellenistic model, characteristic of Banat Celtic-Dacian coinage. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Dacian tetradrachms of Banat were struck not by a centralized mint but through a loose tribal production system, with individual workshops producing dies of wildly varying quality across several generations. These coins are Celtic-influenced imitations of Macedonian prototypes — specifically Philip II tetradrachms — that were adopted, adapted, and progressively abstracted by Dacian craftsmen until the original Macedonian types became nearly unrecognizable. The degradation was not incompetence; it reflects deliberate local reinterpretation over roughly two centuries of use.
No hoard evidence firmly ties these to a single issuing authority within Banat, and attribution to "the Dacians" remains a geographic convenience rather than a political certainty.