Catalogue
| Émetteur | Carthage |
|---|---|
| Année | 220 BC - 210 BC |
| Type | Standard circulation coin |
| Valeur | Tetradrachm (2) |
| Devise | Shekel |
| Composition | Silver |
| Poids | 16.73 g |
| Diamètre | 14 mm |
| Épaisseur | 2 mm |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Müller Cyr#13 |
| Description de l’avers | Head of the Nymph Arethusa, surrounded by dolphins. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Horse head left. Palm tree behind. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (220 BC - 210 BC) - - |
| ID Numisquare | 3276633180 |
| Informations supplémentaires |
Historical Context: This Carthaginian tetradrachm, struck between 220 and 210 BC, emerges from a period of profound geopolitical tension, immediately preceding and during the initial phase of the Second Punic War. Issued by the Carthaginian Republic, its production was vital for financing the vast military expenditures of the Barcid family, most notably Hannibal’s campaigns against Rome. These silver issues underscore Carthage's economic power and strategic integration into the Hellenistic monetary sphere, facilitating mercenary payments during its ultimate struggle for Mediterranean hegemony.
Artistry: While the engraver remains anonymous, the coin exemplifies the Punic-Hellenistic stylistic school. The obverse typically features a masterful depiction of the goddess Tanit, often assimilated with Persephone or Arethusa, her head wreathed with corn ears, reflecting Sicilian artistic influences. The reverse commonly displays a powerful standing horse or a horse's head, a traditional Punic symbol representing speed and strength, often accompanied by a Punic letter or symbol in the exergue. The overall design conveys both religious reverence and martial prowess.
Technical/Grading: Weighing 16.73 grams, this silver tetradrachm exhibits typical Carthaginian fabric. For optimal grading, key high-points on the obverse include Tanit's hair, facial features, and the individual kernels of the corn wreath. On the reverse, the horse's mane, musculature, and any Punic inscription are crucial. A well-struck example shows a full, centered impression on a sound flan, with minimal weakness on the highest relief points, indicative of careful die preparation amidst high-volume wartime production.